Friday, February 27, 2015

Friday, February 27th--7:45 pm


Greetings, below you will find the out of class essay assignment #2, which was distributed and discussed at length in class on Wednesday. Have a good and safe weekend.



English 20
C. Fraga
Spring 2015

OUT OF CLASS ESSAY ASSIGNMENT #2

Assigned:  Wednesday, February 25
Optional Rough Draft due no later than: Monday, March 16
FINAL DRAFT due: Wednesday, April 1

Details/Requirements:
1. Follow MLA format for the set-up of your essay and for your documentation of sources. Your thesis must be specific, articulate and assertive.
2. A minimum of 5 outside sources on your Works Cited page. If you utilize personal interviews, be sure there are not MORE interviews than resources from professional and/or academic publications. The best place to start is the home page of the Sacramento State Library. By this time in your college career, you should be very familiar with the AMAZING databases available to you, just a click away!
3. Please, no Wikipedia or encyclopedias as primary sources
4. No formulaic, 5 paragraph essay. Ever.

ESSAY PROMPT:
Among many issues, the series Breaking Bad suggests three themes/topics:
·      incarceration
·      illegal drug abuse
·      terminal illness
These topics, of course, are very encompassing. Your task is to select one of the three and narrow your focus. You will explore how this issue impacts families. From your research, what do you discover are the MOST challenging aspects facing families dealing with incarceration of a family member; OR dealing with drug abuse of a family member; OR a dealing with the diagnosis of a terminal illness of a family member?

Select the one topic that you are most interested in exploring. You will conduct research (and possibly personal interviews) in order to write an essay that offers the reader a brief background on the topic and makes an assertion about what the most significant challenges are for a family coping with this significant issue, and support your assertions logically and interestingly.

If you wish to focus on the topic that you are familiar with firsthand, that is fine. However, this essay is not a narrative. It is a research and rhetorical analysis essay. In other words, you can certainly utilize personal observations and experiences, but you CANNOT rely on them to in any way be the main supports for your essay.

Remember:  Purpose. Audience. Message. Tone.



Tuesday, February 24, 2015

Tuesday, February 24th--8:30 pm

PACKET 4 ASSIGNMENT (3 items)--due next week


***"Tackling America's Drug Addiction"
http://www.npr.org/templates/story/story.php?storyId=127937271
(this is actually an audio--a 4 minute and 50 second interview that was recorded on National Public Radio in June of 2010.)

***"Confessions of a Mom (and a Former Teen Pothead)"
http://www.npr.org/blogs/tellmemore/2010/10/19/130677774/confessions-from-a-mom-and-former-teen-pot-head


***"How the Drug War Hurts Everybody" 
http://www.salon.com/2012/04/12/how_the_drug_war_hurts_everyone/

Monday, February 23, 2015

Monday, February 23rd--6:45 pm

Hello,
Just a quick note. There were a few students who asked about the Rules of Thumb reading assignment for Wednesday. It is true that I have already asked you to read these pages during Week Two. (pages 63-100)  I am asking you to review these pages again for this Wednesday. Be sure, of course, to bring your text as well.

Thursday, February 19, 2015

Thursday, February 19th--5 pm


Greetings, below you will find a revised syllabus for the next several weeks. Any weeks following remain the same. I have also made these changes on the syllabus posted on the blog on the first day of classes.
The changes are highlighted.


Week Five: February 23-27
Monday:
·      In class Essay #1 (bring blue book to class)

Wednesday:
 
·     Out of Class Essay #2 assigned today
·      View episode 5 of Breaking Bad
·      Read pgs. 63-100 in Rules of Thumb

Week Six:  March 2-6
Monday:
·      Complete Packet 4
·      Writing Response #2

Wednesday:
·      View in Class: The House I Live In

Week Seven:  March 9-13
Monday:
·      View episode 6 of Breaking Bad

Wednesday:
·      No class today—MENTAL HEALTH DAY

Week Eight: March 16-20
Monday:
·      Optional Rough Draft due for Out of Class Essay #2
·      Read pgs. 169-187 in Rules of Thumb

Wednesday:
·      Arrive in class having read one of the four sections in Part III of the Handbook: Writing Across the Curriculum at Sacramento State. Select the section that “fits” your major field of study. If you have not yet declared a major, select the one that BEST fits what you THINK your major will be. (Your choices are: Natural Sciences and Math; Social Sciences; Arts and Humanities; or Business and Professional Communications.)

Week Nine: March 23-27
SPRING BREAK
Have a wonderful and safe week.

Week Ten:  March 30-April 3
Monday:
·      View episode 7 of Breaking Bad
·      Group Work 2

Wednesday:

                Complete Packet 5
               Writing Response #3
               Out of Class Essay #2 Final Draft due today

Wednesday, February 18, 2015

Wednesday, February 18, 2015--6 pm

Greetings,

Below you will find information about In Class Essay #1, taking place on Monday.

Topic:
The prompt will focus on the first four episodes of Breaking Bad. You may refer to your Viewer's Journal and any other notes you may jot down over the weekend in preparation. YOU MAY NOT ACCESS AN ELECTRONIC DEVICE. If you type your Viewer's Journal, then you will need to print out a hard copy and bring it to class. This is a fairness issue. Some students who were not prepared for the pop quiz on Monday, the 16th,  referred to online sources during the quiz. I did not realize that was going on until it was too late. So again, it's a fairness issue. If you have any concerns about this requirement for Monday's essay, please email me.

Specifically, the prompt will focus on priorities. All of us have a list of priorities, things that are most important to us, during our lives. (everyone's lists vary--items could include: earning a certain salary; being a focused, positive parent; getting out of debt; traveling to Africa; etc.) Of course, as we grow and mature, that list of priorities very often changes, based on life experiences. Some priorities shift in position, some disappear completely. Think about the characters in Breaking Bad--specifically: Walter, Sr., Skyler, Hank, Marie and Jesse. If you were to "guess" what their list of life priorities might be at this time in their lives, what would you say? And why?

Details:

  • bring a blue or green book to class 
  • bring at least two pens (no pencils, please)
  • skip every other line (if you forget, don't worry)
  • when writing in response to a film, book, television series, etc. be sure to mention the name of the film, book, or series at least once in your essay. When writing, titles of television shows are underlined.
  • do not write using the five paragraph formulaic pattern. It is far too limiting for college level writing
  • do not be concerned about spelling or mechanical/sentence errors. You will not be evaluated on those issues. You will be evaluated on how well you support your assertion/thesis. I do not grade as strictly as I do for out of class essays. In other words, if you earn 90 out of 100 on an in class essay, you would earn at least 10-15 points lower if you wrote the same response for an out of class essay assignment.
  • you will have at least 60 minutes to complete this in class assignment.




READ IMMEDIATELY--Wednesday, Feb. 18th--7:22 am

Good morning,
unfortunately, I have just woke to the flu "bug" so many students have appeared to have caught as well.
I apologize for such a late notice, but I am obviously going to have to cancel classes for today.
Please leave your Essay 1 final draft in my dept. mailbox, located in Calaveras 103. If the box becomes too full, please place your essay on the very top shelf above all the mailboxes.
REMEMBER TO ATTACH YOUR ROUGH DRAFT WITH MY COMMENTS IF YOU SUBMITTED ONE.
Again, I truly apologize for such late notice.
Please check the blog later today for information to prepare for In Class Essay 1 on Monday.

Tuesday, February 17, 2015

Tuesday, February 17, 2015--2:30 pm

Greetings,
Below you will find a copy of the handout that was distributed and (partially) discussed yesterday in class.

Also, a quick note:

I am a little concerned that some students are not keeping up with the assigned work.
Overall, the homework assigned is very minimal in this course. So arriving to class prepared should not be a huge effort.

Viewing Breaking Bad is part of the curriculum. It is not to be taken lightly merely because it involves "just watching a TV show." In fact, often those students who have previously viewed the entire season are at a disadvantage; they often believe it is not necessary  to re-watch the season or at least not re-watch the episodes in a focused manner. Actually, the opposite is true. :)


English 20
C. Fraga

How to Critically Read an Essay

Educated adults exist in a delusional state, thinking we can read.

In a most basic sense, we can.

However, odds are, some of us cannot read, at least not as well as we would like.

Too many college students are capable of only some types of reading and that becomes painfully clear when they read a difficult text and must respond critically about it.

Intelligence and a keen memory are excellent traits and most students have learned to read in a certain way that is only useful for extracting information. Thus, students are often fairly well skilled in providing summary.

However, the act of reading to extract information and to read critically are vastly different!

The current educational system in American primary schools (and many colleges) heavily emphasizes the first type of reading and de-emphasizes the latter.

In many ways, THIS MAKES SENSE.

Reading to extract information allows a student to absorb the raw materials of factual information as quickly as possible. It is a type of reading we all must engage in frequently.  However, each type of reading calls for different mental habits. If we do not learn to adjust from one type of reading to another when necessary, we cripple our intellectual abilities to read critically.

DIFFERENCES BETWEEN READING TO EXTRACT INFORMATION AND READING CRITICALLY.

  1. They have different goals.  When students read to extract information, usually they seek facts and presume the source is accurate.  No argument is required.  On the other hand, when students read critically, they try to determine the quality of the argument.  The reader must be open-minded and skeptical all at once, constantly adjusting the degree of personal belief in relation to the quality of the essay’s argument.
  2. They require different types of discipline.  If students read to learn raw data, the most efficient way to learn is repetition.  If students read critically, the most effective technique may be to break the essay up into logical subdivisions and analyze each section’s argument, to restate the argument in other words, and then to expand upon or question the findings.
  3. They require different mental activity.  If a student reads to gain information, a certain degree of absorption, memorization and passivity is necessary. If a student is engaged in reading critically, that student must be active!!! He or she must be prepared to pre-read the essay, then read it closely for content, and re-read it if it isn’t clear how the author is reaching the conclusion in the argument. 
  4. They create different results.  Passive reading to absorb information can create a student who (if not precisely well read) has read a great many books. It creates what many call “book-smarts.”  However, critical reading involves original, innovative thinking.
  5. They differ in the degree of understanding they require.  Reading for information is more basic, and reading critically is the more advanced of the two because only critical reading equates with full understanding.

ULTIMATELY, WHAT WE WANT IS THE CONSCIOUS CONTROL OF OUR READING SKILLS, SO WE CAN MOVE BACK AND FORTH AMIDST THE VARIOUS TYPES OF READING.

FIVE GENERAL STAGES OF READING

1.      Pre-Reading—examining the text and preparing to read it effectively (5 minutes)







2.      Interpretive Reading—understanding what the author argues, what the author concludes, and exactly how he or she reached that conclusion.







3.      Critical Reading—questioning, examining and expanding upon what the author says with your own arguments.  Skeptical reading does not mean doubting everything you read.






4.      Synoptic Reading—putting the author’s argument in a larger context by considering a synopsis of that reading or argument in conjunction with synopses of other readings or arguments.





5.      Post-Reading—ensuring that you won’t forget your new insights.



Thursday, February 12, 2015

Thursday, February 12th--7 pm

Greetings,

below you will find the assignment for Packet 3:


"The Conscience  of Television:--TED TALKS

http://www.ted.com/talks/lauren_zalaznick.html 

Wednesday, February 11, 2015

Wednesday, February 11th--8:45 pm

Greetings,

as promised today in class, below you will find the grade evaluation sheet I will be using when I read the final draft of out of class essay 1, due next Wednesday.


NAME______________________________________________
ENG.20---SPRING SEMESTER 2015
Out of Class Essay #1—Evaluation

Grade Earned:___________________
General Comments:





If there is a check (    ) next to an item or items listed below, this indicates one or more of those errors was found in your essay. I WILL ALWAYS NOTE MOST ERRORS, AT LEAST ONCE, DIRECTLY ON THE ESSAY; HOWEVER, I DO NOT INDICATE EVERY ERROR. You are the final editor/proofreader of your work. Whether or not you revise this essay, please take note of the errors so they are not repeated in your next essay.

_____sentence level errors (comma splice; run on; fragment; spelling error; punctuation error; error in capitalization; etc.)

_____paragraph (s) has more than one main idea

_____problems with transitions between paragraphs

_____organization issues

_____wordiness

_____repetitiveness

_____issues with tense

_____lack of sentence variety (in length and/or in beginnings)

_____tone/rhetoric (too casual for an academic essay)

_____very general, flat, uninteresting vocabulary

_____lack of supportive details/evidence

_____does not address the prompt accurately and/or completely

_____use of you and/or your

_____unacceptable errors (# of errors found:________)

_____MLA documentation errors

OTHER ISSUES:



Tuesday, February 10, 2015

Tuesday, February 10th--2:45 pm

Greetings:

A few things:

1.  You will want to bring your Viewer's Journal to class whenever Breaking Bad episodes are scheduled to be viewed by that class day. In fact, it is probably a good idea to just keep it with your English folder/binder as bring to class during every class session.

2. If you submitted a rough draft for out of class essay 1, BE SURE TO REMEMBER TO ATTACH IT TO THE FINAL DRAFT WHEN YOU SUBMIT THE FINAL ESSAY. It is my way to note that you have the privilege of revising if you wish.

3. Below is a copy of a former student's final draft of out of class essay 1. I consider it a strong, quality response. Please take the time to read it through a few times. Please note that when I cut and pasted the essay, errors occurred on the Works Cited page. The second and consecutive lines of each source SHOULD be indented.


Devin Valdez

Professor Catherine Fraga

English 20 Section 14

7 October 2013
Rosie the Riveter
            The well known icon, Rosie the Riveter, is often associated with female empowerment because she inspired an entire social movement during the 1940s. The creation of this symbol was to encourage women to enter the workforce as the men left for war. The image of Rosie the Riveter flexing her bicep and saying “We can do it” is still viewed as an embodiment of women’s rights today.  "Rosie The Riveter" was the start of a government campaign that recruited female workers and became the most iconic image of working women during the war. Although she was not a single woman, she was an icon of non-conformity that represented the women of America who challenged gender ideals and followed a non-conformist path at that time that forever paved the way for women of the future. A true non-conformist, as “Rosie” represents, significantly challenges social norms and instigates a positive change with lasting repercussions for the present and in the future.
Before the United States entered World War II, there was a cultural division of labor by sex. It was expected that men be in the workforce and that women be in the home. However, the start of World War II challenged these ideas.  On December 7, 1941, Japanese warplanes attacked the U.S. Naval Base at Pearl Harbor in Hawaii (Rosenburg).The devastating results left the nation stunned as President Roosevelt called the United States to war. American men quickly began enlisting in the war effort, leaving the workforce to diminish. Because of this gross shortage of manpower, the United States government needed a way to influence the women to enter the workforce. So they turned to the War Advertising Council in order to implement a nationwide campaign known as the “Women in War Jobs Campaign” (Hoyt). The motive was clear, to target several different groups of women. The campaign used persuasive posters and messages that encouraged women already in the workforce to upgrade to factory jobs, girls just out of high school to look for jobs in the factories, and homemakers who never had a job. This was achieved because of the many different patriotic images of the now-legendary Rosie the Riveter.
At first, the calls for women to join the workforce included phrases such as “Do the job HE left behind” and “It’s a Woman’s War Too!”, but the iconic Rosie symbol did not take hold until 1942 (Young 606). The Rosie phenomenon started with the song entitled “Rosie the Riveter” released in 1942 written by John Jacob Loeb and Redd Evans. The song became very popular very quickly. It was played on the radio and broadcasted nationally as well as performed by many popular artists at the time. The lyrics in the song described the role the government was hoping women would play during wartime, “She’s a part of the assembly line, she’s making history, working for victory. Rosie the Riveter” (“Rosie the Riveter”). The song talked about the group of women that did not want to help the war effort and it emphasized the importance of the type of girl who would do anything to help the war come to an end. These powerful words inspired not only the women to enter the workforce, but it also inspired the artists of the iconic Rosie posters.  For example, the artist behind the Saturday Evening Post Rosie image, Norman Rockwell, was said to be inspired by the song and lyrics, especially since he painted the name “Rosie” on the lunch box (Doyle). In this particular picture, Rosie is pictured eating her lunch in her factory garb, holding her riveting gun in her lap and resting her boots on Hitler’s Mein Kampf. There is a large American flag waving behind her (“Rosie the Riveter”). In another more recognizable poster of Rosie, painted by J. Howard Miller, she is portrayed with a red bandana, factory coveralls and flexing her arm with the words “We Can Do It” behind her (Hoyt).
The posters and song portrayed women as strong figures in the nation’s war efforts. The government used themes of patriotism and glamour to appeal to young women. Because their brothers, boyfriends and husbands were off defending democracy, the least they could do was take a war job.  They were to be “the women behind the man behind the gun” (Gluck 11).  The song, magazines and the poster demonstrated how war workers could be glamorous, fashionable and help to stamp out fascism. The images challenged the women to take on responsibilities that normally belonged to the men. Because of the inspiring images, the factory gates flooded with mothers, daughters, wives and even school girls. Women’s entrance into the workforce, specifically defense jobs, signaled a major breakthrough in their normal employment patterns. Those jobs that were concentrated in heavy industry were both better paying and loaded with symbolic value. They were men’s jobs. Rosie became an image that not only showed women getting involved in industrial work, such as riveting and welding, but she also represented all the women that proved they could perform a man’s job.
Recruiting women to enter the workforce meant challenging and abandoning the definition of womanhood that the American culture promoted. However, because of the hostility toward women working during the depression, the government emphasized the temporary nature of women’s wartime work (Gluck 153). This meant that the cultural values would be kept intact. The war ended with the Allies victorious and the need for munitions ceased. The country prepared for the return of normalcy. The government filled women’s magazines with stories and advertisements that promoted the renewed domesticity (268). The ideal family life was emphasized and the specific male and female roles were once again predominant. The men returned home, and there was no need for women workers. They were actually encouraged to go back to home, or at the very least, to take more socially accepted and lower paying jobs, like secretarial work. Employers moved to restore the prewar sexual division of labor. Although the gender disparities took place once again, the government could not close the floodgates. In a 1944 survey of women workers, half of the former full-time homemakers said that they wanted to continue working after the war (154). Most of these women did continue working and those women who returned to homemaking ended up rejoining the workforce later. The number of working women never again fell to prewar levels.
The Rosie the Riveter image was never meant to empower women. However, for a brief period during wartime, images of women were revised. Her creators merely used her as a tool to encourage homemakers to temporarily enter the workforce in support of the war effort. Rosie, and the women she represented, had only one purpose: to “bring the boys home”. (Lowen). Oddly enough, she emerged as a cultural icon. While the employment boundaries expanded and the sexual division of labor was challenged, at least momentarily, social values also had to change. Women’s definitions of themselves had to change. It was not long before the daughters of these women began to chip away at the archaic ideas. Rosie left an impression that gave the women the assurance that they had a place in a male-dominated workforce. During the many years following World War II, Rosie’s “We Can Do It” attitude became a feminist icon. For example, the 1960’s brought deep cultural changes that altered the role of women in American society. More women were reentering the workforce and challenging the gender disparities in pay. While most of the male-dominated America rejected the idea, the feminists of the 1960’s worked for goals of equal pay among men and women in the same field of work, an end to domestic violence and sexual harassment, the limits on women in managerial jobs and shared household and child rearing responsibilities. These goals could not even be perceived without the empowerment that Rosie provided. There was this sort of tug-of-war going on in the 1960’s. Television shows like “Father Knows Best” and “Leave it to Beaver” were on air, emphasizing the importance of the traditional domestic life, while Lesley Gore’s hit song “You Don’t Own Me”, which emphasized female independence and challenged traditional ideals, climbed to the top of the charts (Walsh). The 1960’s became a progressive time for women’s rights in all facets of life. This all influenced by the creation of the image of Rosie the Riveter.
Modern day "Rosie's" are still making advancements in the fight for gender equality. For instance, Danica Patrick is a female athlete in the male dominated sport of NASCAR racing.  In 2013, she earned herself the starting pole position in the prestigious Daytona 500 race (Strassmann). Comedy is another example of a stereotypical male enterprise. However, former Saturday Night Live actress Kristin Wiig’s movie “Bridesmaids” challenged male comedy. With an all-female ensemble, they were triumphant in portraying a traditionally masculine style of humor. Other strong feminine figures include people such as Tina Fey, who became the first female head writer for Saturday Night Live, Michelle Obama, who advocates for women, children, and young adults, and Katie Couric, who became a prominent woman reporter, which was hard to come by for women most of the time television has been around. There have also been many “takes” on the famous Rosie the Riveter image by such artists as Christina Aguilera, Pink, and Beyoncé. All of the women listed are powerful in their respective fields. They challenged ideals, succeeded, and are now synonymous with being inspirations to women everywhere. Modern day Rosie’s continue to prove that women are capable of succeeding in a man’s world. Women’s endeavors in comedy, sports, music, politics, and even everyday home life have been successful in the fight for gender equality and were inspired by that one iconic  image.
Rosie the Riveter is not just one woman, but an icon and a representation of all the women who challenged and are still challenging the ideals of a woman’s place. She does not just represent white women, but all women, and she continues to do so. Her creators were not  prepared for what she inspired. The initial reason for creating this image was to encourage women to enter the workforce as the men left. However, the image and her “We Can Do It” attitude left such an impact and played such a vital role in the process of redefinition, that she has helped to lead a non-conformist movement that is still being felt today.


Works Cited
Doyle, Jack.  “Rosie the Riveter”.  PopHistoryDig.com.  28 February 2009. Web.                                     18 September 2013.
Gluck, Sherna Berger. Rosie the Riveter Revisited: Women, The War and Social Change.                         New York: Penguin, 1988. Print.
Hoyt, Alia.  "Who was Rosie the Riveter?".  HowStuffWorks.com. 03 November 2008.                        Web.  26 September 2013.
Lowen, Linda. “Who was Rosie the Riveter?”. About.com. (No date). Web. 18 September                        2013.
Rosenberg, Jennifer. “Attack on Pearl Harbor. December 7, 1941- A Date That Will Live in             Infamy”. About.com. (No date). Web. 22 September 2013.
“Rosie the Riveter”. USHistory.com. (No Date). Web. 18 September 2013
Strassmann, Mark. “Danica Patrick set to make history at Daytona”. CBSnews.com. 21                                    February 2013. Web. 16 September 2013.
Walsh, Kenneth T. “The 1960’s: A Decade of Change for Women”. USnews.com. 12 March                        2010. Web. 16 September 2013.
Young, William H; Young, Nancy K. World War II and the Postwar Years in America: A                         Historical Encyclopedia, Volume I. ABC-CLIO. ISBN 9780313356520. Print. Retrieved:            26 September 2013.

Saturday, February 7, 2015

Saturday, February 7th--11 pm

Greetings,

a few things....

1. Students in Sections 17 and 18: if you received a full 5 points on question 1 of Writing Response 1...or if you received between 33 and 35 points on question 3 of Writing Response 1, I would appreciate it if you brought your graded response to class on Monday.

2. Students in Sections 18 and 20: please bring your Rules of Thumb text to class on Monday.


Monday, February 2, 2015

Monday, February 2--almost 7 pm

Greetings,

Below you will find a copy of the Out of Class Essay #1 Assignment, distributed and discussed in class today.

Also, a few things:

1.  We WILL discuss David Foster Wallace's speech, "This is Water," on Wednesday. Be sure to bring it to class--a hard copy or electronically.

2. Anytime something is assigned for homework--for example--readings in Rules of Thumb and/or the CSUS Writing Handbook, you will want to bring those items to class on the day they are due to be read. Same goes for episodes of Breaking Bad. If an episode is due to be viewed, you will want to bring along your Viewer's Journal. In fact, it is a good idea just to keep the Viewer's Journal with your English 20 folder/binder that you bring to class every session.

***

English 20, Sections 17, 18 & 20
Spring, 2014
Catherine Fraga, Instructor

Out of Class Essay Assignment #1—200 points possible—
VOICES AGAINST CONFORMITY

Assigned: Monday, February 2

Rough Draft Due (OPTIONAL), typed & double spaced, no later than Monday, Feb. 9. In order for me to give the most useful feedback, please submit a draft that has a fairly well developed beginning, middle and end. You need not include MLA in-text citations or your Works Cited page in a rough draft.

Final Draft Due:  Wednesday, Feb. 18.
If you submitted a rough draft, please attach it to the back of the final draft when submitting.

****************************************************************************
Let’s take a closer look at the issue of conformity/non-conformity.

The most interesting, focused and articulate essays I receive from students are ones where students select their own specific topic and are genuinely intrigued by the topic.

For this essay, you will research and write about one person who is/was considered a non-conformist by many in his/her field of interest. Consider the possibility that the person deemed a non-conformist may not, in your opinion, actually BE a non-conformist. So your essay could support or disprove the label given by the majority of society.

This topic allows for a wealth of flexibility and choice.

Your focus will be on a person working in an area (and time period in history) that you are most interested in: photography; art; literature; sports; politics; film; computers; music; fashion; science; mathematics; education; or ???

To get a better idea of some possibilities, and for purpose of illustration, let’s look at some examples of topics within in the time period of the 1950s in America.

Premise: Many in the 1950s worked diligently for the comfort and conformity displayed on such TV shows as Father Knows Best and Leave it to Beaver. But regardless of the affluence of the new American middle class, there was still poverty, racism and alienation in America rarely depicted on TV.

Dozens of people rejected societal norms through their artwork, creativity and lifestyle. They used words, art, film and music to rebel against the cookie-cutter mentality of the established power structure and mass-marketed culture.

Many writers during this time period (referred to as the Beat Generation) adamantly refused to submit to the conformity of the 1950s. (these writers included Jack Kerouac, Allen Ginsberg, Diane Di Prima, Sloan Wilson, J.D. Salinger, William Burroughs, and others)

Likewise, many artists during this time period adamantly refused to submit to the conformity of the 1950s. (these artists included Willem De Kooning, Hans Hoffman, Mark Rothko, Jackson Pollock, Clement Greenberg, and others)

Also, according to an Internet article on Conformity in U.S. History: “While the 1950s silver screen lit up mostly with the typical Hollywood fare of Westerns and romances, a handful of films shocked audiences by uncovering the dark side of America’s youth.”

Many filmmakers of this time period adamantly refused to submit to the conformity of the 1950s. (these films include The Wild One; Blackboard Jungle; Rebel without a Cause, etc)

No matter what non conformist you select to research, your essay must contain the following:
·       your working definition of a non-conformist (in order to frame and set up your argument) Please do not use a dictionary definition.
·       a brief history of the country’s mood during this time period;
·       background and details about the non-conformist you will focus on, in particular, those that help support your premise;
·       how his/her work challenged the status quo;
·       the impact of his/her work on others in the same field and on society;
·       and the repercussions and influence felt today or what you predict WILL be the repercussions in the future.

Your essay will be both informative and analytical: your thesis will “prove” the person’s influence, or not, on people’s lives, then and now.

Things to Consider:

This is NOT an essay in which you write an in depth analysis of the literature, film, music, fashion, etc. of the time period you are focused on. To do that, you would need to carefully read, view, or listen to the work or material at great length.

Instead, you are conducting research to discover the mood of the country and the status quo during a particular time period——why and how a person’s work was considered non conformist—and how their work influenced those living then…and now.

Your thesis might read something like this:

Although 1950s America appeared to be almost unrealistically content, many visual artists at this time, particularly Jackson Pollack, successfully combated the blissful charade by using innovative methods and themes in his work.

A BRIEF LIST OF TOPIC SUGGESTIONS:
Mahatma Ghandi                                    George Carlin
Martin Luther King, Jr.                                    John Cassavetes
Eminem                                                Yves St. Laurent
Georgia O’Keefe                                    Abby Hoffman
Galileo Galilei                                                John Lennon
Emma Goldman                                    David Mamet
Janis Joplin                                                Jim Morrison
Johnny Cash                                                Ralph Nader
Steve Jobs                                                Joan of Arc
Nelson Mandela                                    Che Guevara
Karl Marx                                                Bill Gates
Dr. Jack Kevorkian                                    James Dean
Quentin Crisp                                                Henry David Thoreau
Ayn Rand                                                Elvis Presley
Carl Jung                                               
Carl Sagan
Alexandr Solzhenitsyn